
Poonthanam lived to the ripe old age of 92. It seems Poonthanam presented him his ring and next da, it appeared in the sanctum sanctorum of Guruvayur temple and the priest was ordered to return it to Poonthanam.

There is also a story of How Once Guruvayurappan saved Poonthanam from robbers in the guise of the Minister of Zamorin. That day night, Meppathur became very sick and the Lord came in his dream in told him that Poonthanam’s Bhakthi was more dear to him. Another story tells how Meppathur refused to edit the manuscript of Poonthanam on Bhasha Karnamrutham, saying that it did not have Vibhakthi. It is believed that the voice of Guruvayurappan from inside the temple ,told Meppathur, that he would prefer to be Poonthanam’s Mara Prabhu rather than bring Meppathur’s Amara Prabhu. It seems once when he was reading Vishnu Sahasranamam, instead of reading Amara Prabhu (the eternal lord), he read Mara Prabhu(Woodden Lord) It seems Meppathur who heard that laughed at him.

There are many stories about how Poonthanam was recognized by Guruvayurappan himself. Then he also several stotras addressed mainly addressed to Krishna, but also addressed to Shiva as well as Goddess Parvathi. Bhasha Karnamrutham was prayer songs addressed to Lord Krishna. Out of this Jnana Pana was a work of extreme devotion to Lord Krishna, with Advaitha philosophy in simple language so that it can be understood by the common people. Some of the great works that he wrote were Jnana Pana, Kuchela Vrutham Pana, Santhana Gopalam Pana, Bhasha Kasrnamrutham and Kumara Haranam Pana. Even in Malayalam he took up for his writing using the Pana style which was similar to the blank poem, with very less rules governing it and written using the conversational Malayalam rather than the Malayalam of the scholars, which was mostly Sanskrit. Most of the works of Poonthanam were in Malayalam, few in simple Sanskrit and four of them in Tamil. Poonthanam also started writing his great works at that time. It was at this time when Meppathur Narayana Bhatathiri, a great sanskrt scholar and an ardent devotee of Guruvayurappan was writing Narayaneeyam in Guruvayur. From that time onwards he became an ardent devotee of Guruvaurppan. Being a great devotee and a great philosopher, he decided to go to Guruvayur. The child passed away under tragic circumstances on its first birthday. He was not blessed with a child for a long time after marriage. He used to be a devotee of the mother Goddess of Perinthalmanna, who also happened to be the Kula Deivam of the Zamorin kings. He used to live in a village called Keezhathur near Perinthalmanna of Kerala which was not very far away from Guruvayur. Though he did learn Sanskrit, some how, he was more interested in Malayalam. Poonthanam was not his name but the name of the Nambudiri family that he belonged. I did translate a few stotra earlier and as per the lord, I have translated all the stotra works of poonthanam as well as Jnana pana (I have not translated three other Pana written by him) as on today. I did translate Jnana pana about 10 years back and poonthanam’s Bhasha Karnamrutham in 2012. I was mentally instructed by Lord GUruvayurappan to translate the works of Stotra of Poionthanam in to English. In spite of that many people did hear about The Adhyathma Ramayanam kili pattu of Ezhuthachan and the Jnanapana of Poonthanam. The other two did not get the popularity that they deserved among the devotees outside Kerala because, Malayalam was not understood outside Kerala. It was the great savant and Harikatha exponent of Tamil Nadu Brahmasri Sengalipuram Anantharama Deekshithar who popularized Narayaneeyam, the master piece of Meppaathur in Tamil Nadu. But the other great writers were known only inside Kerala. Sri Krishna Karnamrutham of Bilwamangalam who was one of the pioneer of Krishna Bhakthi movement, reached the hands of the savants of Bhakthi movement of Bengal and he became popular throughout India.

This Bhakthi movement of Kerala was lead by four great poets viz Thunchathu Ezhuthachan, LeelaShuka called as Bilwamangalam Samiyar, Meppathur Narayana Bhattathiri and Poonthanam.While Bilwamangalam and Meppathur preferred to write in Sanskrit, Thunjathu Ezhuthachan and Poonthanam preferred to write in Malayalam. Ofcourse Kulashekara Azhvar who wrote Mukunda Mala in Sanskrit and several other Tamil works, belonged to Kerala.
#NARAYANA STOTRAM TAMIL FULL#
In spite of Adhi Sankara, who has himself composed large number of great devotional stotrams, being born In Kerala and in spite of the Bhakthi movement which was full swing in neighboring Thamizh Nadu lead by the Nayanmar’s(Shaivism) and Azhvars (Vaishnavism), the Bhakthi movement in Kerala started only at the end of 15th centaury.
